dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Friday, August 21, 2015

"Russian Doll" @ M + B

Anthony Lepore
Blue Print,  2015
signed, dated, titled and numbered 
verso archival pigment print
40 x 52 inches

Anthony Pearson
Untitled (Plaster Positive),  2013
hydrocal in walnut frame
58 4/5 x 44 x 4 1/2 inches

Jessica Eaton
cfaal 412, 2014
signed, titled, dated and numbered version
archival pigment print
50 x 40 inches

Phil Chang
Replacement Ink for Epson Printers (Red 172201) 
on Arista II Bright White Medium Weight, 
Canson Infinity Rag Photographique, 
Museo Wax, Moab Entrada Rag Natural 190 Papers, 2015
signed, dated, and titled verso
unique archival pigment print

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