dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Showing posts with label Mixed Media. Show all posts
Showing posts with label Mixed Media. Show all posts

Saturday, August 27, 2022

William Wegman "Art by Artist" @ Marc Selwyn

Hans Hoffman Residence, 1981
Mixed media collage on silver gelatin print
19 x 20 inches

Friday, April 6, 2018

Saturday, March 3, 2018

Ten Year @ Redling Fine Art


Martin Kersels
The Decline of Western Civilization, 2018
Mixed media on panel
19 x 16 x 2






Corey Fogel
Examples for: A Service Rendered to Preempt Feelings of Distress by Predistressing a Vehicle Before Forces Beyond the Distressed's Control Can Distress, 2018
"These are physical and auditory examples for a yet unrealized work. S.R.P.F.D.P.V.B.F.B.D.C.C.D. is intended for the new car owner; the complete work will comprise of a performance resulting in a fully 'treated' car, aftermarket clear coat and integrated video and audio settings."





Jason Kraus


Untitled (Red brush mark primary), 2018
inkjet print, oil and gouache on canvas
24 x 24 inches




Untitled (Red brush mark secondary), 2018
inkjet print, oil and gouache on canvas
24 x 24 inches




Untitled (Red brush mark tertiary), 2018
inkjet print, oil and gouache on canvas
24 x 24 inches




Brian O'Connell
Observer, Prototype I-Column (Hydrogen Line, 1420 Mhz / λ=21cm). 29 Element Loop Yagi Array-Perpendicular to Ground Plane, 2018
brass, thread, plexiglass, F-Type coaxial coupler
59 x 3 x 3 inches










Observer, Prototype II-Cone (Minimum Operating Frequency 76.5 Mhz / λ=3.92m, Range ≈ 1:10), Discone-Parallel to Ground Plane, 2018
brass, solder, F-type coaxial coupler
38.5 x 38.5 x 34 inches





Erlea Manneros Zabala
Changing The Platform At The Finish, 2018
watercolor on wall
Dimensions variable

Saturday, January 6, 2018

Henry Flynt "Thinky Art & Fantasy: 1987 - 2017" Curated by Kye Potter @ The Box


Counting, 2011
Digital print mounted on foam core
10 1/8 x 12 7/8 inches





Tritone Monochord, 1987
Mixed media
48 x 40 1/2 inches




Flinx in Flux, 1989
Custom frame and book
20 x 36 inches






two from Aesthetics of Eeriness, 1992
Text painted on MDF
14 1/2 x 28 inches each



Needle Sandwich, 1992
Plexiglas, nails, paint, vinyl
10 x 8 x 3 1/2 inches







Light Flies, 1987
Vinyl lettering




Grey Planes #2, 1993
Oil on canvas
72 x 92 inches



Stroke Numeral II, 1989
Mixed media
80 x 28 x 40 inches



DIY Clock, 2011
Digital print mounted on foam core
12 7/8 x 10 1/8 inches


Shadow Painting, 1988
Canvas, Plexiglas, light
20 3/4 x 24 3/4 inches





Nothing Written Here (Lambda), 2011/2017
Digital prints mounted to wall






Wandering Painting, 1990
Acrylic painting and hypnotic induction audio
18 x 18 inches





The Architect, 2017
Marker and pen on paper
13 1/4 x 10 3/4 inches




Logically Impossible Space (L.I.S.), 1990
Custom built room, vinyl, light, sound device





The Seminar, 1988
28 frames photos, book, brochures, postcard, 5 pages of text
10 x 8 inches each











That feeling when you feel like you get it, but you can't put it into words.