dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Showing posts with label Shulamit Nazarian. Show all posts
Showing posts with label Shulamit Nazarian. Show all posts

Thursday, February 27, 2020

Naama Tsabar "Inversions" @ Shulamit Nazarian




TRANSITION, 2019
Wood, amp grill cloth, cables, disassembled Boss Katana 100 guitar amplifier, 
knobs, wires, circuit board, ports, speaker
63 x 40.6 x 6.5 inches









INVERSION #1, 2020
Wood, strings, polyurethane and latex paint, banjo tuners, 
metal contact microphones, wiring, cable port
66 x 35 x 4.75 inches







TRANSITION, 2019
Wood, amp grill cloth, cables, disassembled Fender rumble 100 guitar amplifier, 
knobs, wires, circuit board, ports, speaker
51 x 38.5 x 7 inches










INVERSION #2, 2019
Wood, microphone, metal, plastic, polyurethane and latex paint, 
cable port, mixer
50 x 58 x 4.75 inches






WORK ON FELT (VARIATION 22) PURPLE, 2019
Felt, carbon fiber, epoxy, wood, archival PVA, bass guitar tuner, 
piano string, piezo microphone, guitar amplifier,
73 x 65 x 30 inches






WORK ON FELT (VARIATION 23) BLACK, 2019
Felt, carbon fiber, epoxy, wood, archival PVA, bass guitar tuner, 
piano string, piezo microphone, guitar amplifier
74 x 50 x 18 inches


https://www.shulamitnazarian.com/exhibitions/9/
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Thursday, August 23, 2018

Alison O'Daniel "Say the word "NOWHERE." Say "HEADPHONES." Say "NOTHING." @ Shulamit Nazarian


Optical Track, 2018
Steel, paint, false eyelashes
120 x 15 x 14 inches






Today is Tomorrow Soundproofer, 2018
Cotton, batting, rope, steel
45 inches x height variable




Zamboni Path: 7 minutes, 2018
Acoustic carpet underlay rubber and acrylic
52 x 36.5 inches





Her Shadow 1, 2018
Polyurethane
95 x 4 inches






Her Shadow 2, 2018
Polyurethane
84 x 4 inches











Feedback Soundproofer, 2018
Cotton, batting, rope, steel
48 inches x height variable



The Sound Piece, 2018
Cotton, batting, steel, Subwoofer, amplifier, receiver
60 inches x height variable
Sound Composition by Ethan Frederick Greene, Christine Sun Kim, and Steve Roden



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Saturday, August 26, 2017

"Not/Normal" @ Shulamit Nazarian


David Berezin
FLAG, 2017
HD Video
Loop




Owen Kydd
Awol, 2015
Video on digital display with media player, square monitor, custom artist frame
TRT: 1:48 minutes




Owen Kydd
Window #2, 2014
Video on digital display with media player
TRT: 3:00 minute loop

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