dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Showing posts with label Institute of Contemporary Art | Los Angeles. Show all posts
Showing posts with label Institute of Contemporary Art | Los Angeles. Show all posts

Sunday, August 31, 2025

Will Rawls: [siccer] @ Institute of Contemporary Art | Los Angeles

[siccer], 2023
Choreography, video, projectors, speakers, cables, wood, spandex, nylon, rayon, vinyl, cattails, and Styrofoam 
Dimensions Variable
















Courtesy the artist [siccer/ was originally commissioned by The Kitchen in partnership with co-commissioners, The Momentary, Portland Institute for Contemporary Art, On the Boards, and the Museum of Contemporary Art Chicago. [siccer was made possible, in part, by the New England Foundation for the Arts" National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation, The MAP Fund, supported by the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation, and is a Creative Capital Project. [siccer] is also a National Performance Network (NPN) Creation & Development











Thursday, August 30, 2018

"This Brush for Hire: Norm Laich & Many Other Artists" @ Institute of Contemporary Art | Los Angeles


Daniel Joseph Martinez
Divine Violence, 2007
Sixteen layers of gold enamel automotive paint
on panel with matte black hand lettering
20 parts: 24 x 36 (60.1 x 91.2cm) each
Overall dimensions variable





Kim Fisher
No. 5, No. 19, and No. 22, 1996
Oil on linen
12 x 12 in (30.5 x 30.5 cm) each





John Baldessari
A Painting That Is Its Own Documentation, 1966-1968
Acrylic paint on multiple canvases
6 panels: original canvas 68 x 56.625 x 1 in (172.7 x 144 x 2.5 cm)
5 additional canvases: 34.25 x 56.625 x 1 in (87 x 144 x 2.5 cm)
Overall Dimension: 68 x 226.625 x 1 in (172.72 x 575.31 x 2.54 cm)











Lawrence Weiner
AS LONG AS IT LASTS, 2018
Language + the materials referred to
Dimensions variable



stills from a short film about Norm Laich
Directed and Produced by Pauline Stella Sanchez






Arturo Herrera
Park and Ride, 2018
Dimensions site specific


Larry Bell @ Institute of Contemporary Art | Los Angeles


CS 11.7.15, 2015
Mixed media collage with aluminum and silicon monoxide on red Hiromi paper, mounted on canvas
62 x 42 x 3 inches
157.5 x 106.7 x 7.6 cm


An unexpected gem. Not much for Bell's trademark glass works, this work here synthesizes the best parts of them into something more interesting, now.