dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Thursday, May 17, 2012

On Apology: Curatorial Practice Thesis Exhibition @ California College of the Arts (CCA)

Amalia Pica (off)

Amalia Pica (on)

Shaun Gladwell

Ragnar Kjartansson (left); Shaun Gladwell (right)

Ragnar Kjartansson









Omer Fast






Graduating students in the Graduate Program in Curatorial Practice investigate the notion of the apology within the current age of precariousness and sociopolitical unrest. The featured artists are Erick Beltran, Mark Boulos, Keren Cytter, Omer Fast, Shaun Gladwell, Ragnar Kjartansson, Amalia Pica, Slavs and Tatars, Dawn Weleski, and Artur Zmijewski.
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