dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.
As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.
Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.
Most of the time, these posts are merely remnants---residual fragments---from my last day out.
Thursday, June 6, 2013
Wednesday, June 5, 2013
"Painting In Place" (Part 2 of 2) by LAND @ Farmers and Merchants Bank, Downtown Los Angeles
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| Foyer |
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| Kim Fisher, Magazine Painting (Wallpaper), 2013 Silkscreen, oil, aluminum panel on dyed linen 38" x 38" |
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| detail |
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| Kim Fisher, Magazine Painting (House), 2013 Oil on aluminum on dyed linen 38" x 38" |
| First Room (View From Entrance) |
| First Room (View Toward Entrance) |
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| Julian Hoeber, "Execution Changes #72A (DS, Q1, LRJ, DC, Q2, ULJ, DC)," 2013 Acrylic on linen over panel with string, 72" x 48" (Recto) |
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| Julian Hoeber, "Execution Changes #72A (DS, Q1, LRJ, DC, Q2, ULJ, DC)," 2013 Acrylic on linen over panel with string 72" x 48" (Verso) |
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| Detail |
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| Julian Hoeber, "Execution Changes #72B (DS, Q1, LRJ, DC, Q2, ULJ, DC," 2013 Acrylic on linen over panel with string 72" x 48" (Recto) |
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| Julian Hoeber, "Execution Changes #72B( DS, Q1, LRJ, DC, Q2, ULJ, DC," 2013 Acrylic on linen over panel with string 72" x 48" (Verso) |
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| N.Dash |
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| N.Dash, "Untitled," 2013 Adobe, jute, linen, oil, pigment, and watercolor, 110" x 27" |
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| Detail |
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| Detail |
| Monique Van Genderen, "...the love of gold"- Heist 1 and 2 Gold leaf on linen, 61 paintings each; each 4" x 11" x 1 3/4" |
| First Room (View Toward Entrance) |
| Second Room (View from Entrance (Left)) |
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| Kevin Appel, "Untitled (Bank)," 2013 Acrylic, oil, and UV cured ink on canvas over panel 84" x 72" |
| Second Room (View From Entrance (Right)) |
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| David Hendren, "twice the night in half the light," 2013 Wood, glass, jute, lights, enamel, ink, and stain 200" x 144" x 96" |
| Britton Tolliver, "Pointless Whispers from a Sea Captain," 2013 Acrylic on panel 115" x 75" |
| Matias Faldbakken, "Remainder XVII," 2013 Ceramic Tile Left wall: 84 1/2" x 109" Right wall: 84 1/2" x 115" |
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