dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Wednesday, June 5, 2013

"Painting In Place" (Part 2 of 2) by LAND @ Farmers and Merchants Bank, Downtown Los Angeles

Foyer

Kim Fisher, Magazine Painting (Wallpaper), 2013
Silkscreen, oil, aluminum panel on dyed linen
38" x 38"

detail



Kim Fisher, Magazine Painting (House), 2013
Oil on aluminum on dyed linen
38" x 38"

First Room (View From Entrance)

First Room (View Toward Entrance)

Julian Hoeber, "Execution Changes #72A
(DS, Q1, LRJ, DC, Q2, ULJ, DC)," 2013
Acrylic on linen over panel with string,
72" x 48" (Recto)

Julian Hoeber, "Execution Changes #72A
(DS, Q1, LRJ, DC, Q2, ULJ, DC)," 2013
Acrylic on linen over panel with string
72" x 48" (Verso)


Detail
Julian Hoeber, "Execution Changes #72B
(DS, Q1, LRJ, DC, Q2, ULJ, DC," 2013
Acrylic on linen over panel with string
72" x 48" (Recto)

Julian Hoeber, "Execution Changes #72B(
DS, Q1, LRJ, DC, Q2, ULJ, DC," 2013
Acrylic on linen over panel with string
72" x 48" (Verso)

N.Dash

N.Dash, "Untitled," 2013
Adobe, jute, linen, oil, pigment, and
watercolor, 110" x 27"

Detail

Detail

Monique Van Genderen, "...the love of gold"- Heist 1 and 2
Gold leaf on linen, 61 paintings each; each 4" x 11" x 1 3/4"


First Room (View Toward Entrance)

Second Room (View from Entrance (Left))

Kevin Appel, "Untitled (Bank)," 2013
Acrylic, oil, and UV cured ink on canvas over panel
84" x 72"



Second Room (View From Entrance (Right))

David Hendren, "twice the night in half the light," 2013
Wood, glass, jute, lights, enamel, ink, and stain
200" x 144" x 96"



Britton Tolliver, "Pointless Whispers from a Sea Captain," 2013
Acrylic on panel
115" x 75"

Matias Faldbakken, "Remainder XVII," 2013
Ceramic Tile
Left wall: 84 1/2" x 109"
Right wall: 84 1/2" x 115"
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