dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, August 2, 2025

Benjamin Echeverria "SMIT" @ Michael Benevento


Black Circle, 2025
Aqueous inkjet print on canvas
41 x 33 inches, 104 x 84 cm



Dose, 2025
Acrylic and staples on canvas in artist's frame
60 x 48.25 inches, 152.5 x 122.5 cm




Salamander, 2025
Aqueous inkjet print on microporous coated polyester film, mounted on aluminum with acrylic facemount, 19 x 16 inches, 48 x 40.5 cm




Pending, 2025
Extension cord
224 x 13 inches, 568 x 33 cm








Pending, 2025
Oil, acrylic, adhesives, enamel on canvas
56.75 x 45.5 inches, 144 x 115.5 cm



Kinder, 2025
Aqueous inkjet print on canvas in artist's frame
72.5 x 57.75 inches, 185 x 146 cm





Gum, 2023
Grease pencil on paper
17 x 11 inches, 43.5 x 28 cm


AC, 2025
Furnace
102 x 30.5 x 28 inches, 259 x 43.5 x 77.4 x 71 cm

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