dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, January 6, 2024

Tracing the Edge @ Benton Museum of Art


Helen Lundeberg
Untitled (Land Patterns), 1968
Arylic on canvas





Florence Arnold
Equivocal, 1960
Oil on linen


Karl Benjamin
F.S. #2, 1962
Oil on canvas


John McLaughlin
#5, 1961
Oil on canvas


Frederick Hammersley
Up with in, 1957-58
Oil on canvas


Florence Arnold
Study Blue Yellow Orange Shapes, 1963
Oil on canvas


Lorser Feitelson
Untitled, 1966 (repainted 1974)
Acrylic on canvas





Karl Benjamin
Red, Pink with Blue-Green, 1959
Oil on canvas


Karl Stanley Benjamin
#15, 1971
Oil on canvas



Karl Stanley Benjamin
No. 3, 1970
Oil on canvas


Karl Stanley Benjamin
#16, 1971
Oil on canvas


 

No comments:

Post a Comment