dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, August 15, 2020

Painting @ Kayne Griffin Corcoran

Sam Moyer
MM Pettway, 2020
Marble and hand painted canvas mounted to MDF
60 x 49 x 1 inches
152.4 x 124.5 x 2.5 centimeters

Mary Obering
Lawn, 1974
Acrylic on canvas
42 1/8 x 84 inches
107 x 213.4 cm

Huguette Caland
Untitled, 1999
Acrylic on paper
57 1/2 x 65 1/4 x 2 1/4 inches
146.05 x 165.74 x 5.72 centimeters

Eamon Ore-Giron
Infinite Regress CXX, 2020
Flashe on linen
69 x 54 inches
175.3 x 137.2 centimeters

Sarah Crowner
Indigo and Vine, 2020
Acrylic on canvas, sewn
84 x 58 inches
213.4 x 147.3 centimeters

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