dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, August 10, 2019

Dilexi "Totems and Phenomenology" Organized with Laura Whitcomb in association with Label Curatorial @ Parrasch Heijnen


Deborah Remington
Kamerun, 1979
Oil on canvas
74 x 50 inches







Tony Delap
Charlier, 1967
Stainless steel, wood, fiberglass, pleixglass, lacquer paint
25 x 25 x 6 1/2 inches




















Tony Delap
Modern Times III, 1966
Wood, fiberglass and lacquer
39 x 67 1/2 x 39 inches
Dimensions variable











Charles Ross
Tapered Column, 2004
Acrylic and liquid oil
96 x 14 1/2 x 14 1/2 inches
base 17 3/4 x 17 3/4 inches







Arlo Action and Terry Riley
Music with Balls, 1968/69
Multimedia
Dimensions Variable





 

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