dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, July 8, 2017

'Laeh Glen, John Houck, Phil Chang, and Ian James" @ Roberts & Tilton

Laeh Glenn
Good Morning, 2017
Oil and acrylic on canvas, hand painted artist frame
63 x 51 inches

John Hock
Pinking Shears, 2017
Inkjet print
30 x 24 inches

Phil Chang
Untitled (Work for Summer 2017 Group Show), 2017
Archival pigment ink on unique archival pigment print
37.5 x 30 inches

Ian James
i.e. violent hierarchy (after LG, JH, PC, & JA), 2017
Handcut adhesive pigment print
145 x 99 inches

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