Not quite sure how to position myself in relation to such work that seems to solicit specific kinds of movements, I begin by finding reflections between things to be somewhat agreeable rather than typically as distractions. Of course, I'm willing to indulge those as well. For example, I have never noticed the one lite door in the last space until now. I have to wonder if this something set up by the installed work that seems to call attention to details of the space--concrete floor cracks aligned with a vertical stack of framed, torn works on (of?) paper. What I don't understand is why the artist didn't figure out a better way to stand things up than by using off-the-shelf hardware into the floor? Again I seem to be weighing out the distractions. And, as I started this by saying, I liked having the opportunity to align my own thoughts and reflections.
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