dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.
As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.
Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.
Most of the time, these posts are merely remnants---residual fragments---from my last day out.
Saturday, May 18, 2013
"Station" @ Parthenia Projects
A. a place or position in which a person or thing is normally located.
B. a place equipped for some particular kind of work, service, research, or the like: geophysical station; radio station et al
C. Archaic. The fact or condition of standing still
D. a song/album by Russian Circles
E. a martian friend of Bill & Ted's
F. a one-day only, two-and-a-half-hour art event at Parthenia Projects involving body movements of Oguri plus a collaborative sound-installation between Brad Laner and Justin Lowman that accompanies an evolving site project of light and material interventions---Barn Rays.
G. None of the above
H. All of the above