dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, July 11, 2015

Lucas Michael "The Chromedian" @ Commonwealth & Council





Le Trap,  2015
Off-the-shelf Behr Paint Colors Voodoo on primed canvas
107 x 45 inches


Redress,  2015
Neon
105 x 41 inches

Dmitri Hertz and Kate Levant @ Night Gallery
















Rose Marcus "The Four Seasons" @ Night Gallery


Central Park (Red Light), 2015
Inkjet on adhesive vinyl, plexiglass, plywood
48 x 36 inches.









Central Park (Imagine with girls), 2015
Inkjet on adhesive vinyl, plywood, plexiglass, rubber, iron frame
72 x 48 inches.




Such a reminder of the mechanics of optics here...Lenses both human and other...Subjects of time, perspective and how light enters and exits (that is to say filtered with some duration no matter how small) both in the the space of representation (photographic prints) and actual viewing space (dropped ceiling with irregular openings). So, depth of space and time... Passage.

Rachel Harrison "Three Young Framers" @ Regen Projects






Yellow Stud, 2015
Wood, polystyrene, cement, and acrylic
69 3/4 x 11 1/4 x 16 1/2 inches




Orange Stud, 2015
Wood, polystyrene, cement, and acrylic
44 1/4 x 11 x 17 1/4 inches








Open Mic, 2015
Wood, polystyrene, cement, acrylic, pedestal, selfie stick, and display phone
107 1/2 x 41 x 57 inches 






Framing Device (Red Range Rover Discovery 3), 2015
Wood, polystyrene, cement, acrylic, mosquito head net, toy car and utility cord
Overall dimensions variable





Marilyn with Wall, 2004/09/10/15
Sheetrock, aluminum studs and chromogenic print
Overall dimensions variable
Framed Dimensions:
15 7/8 x 20 3/16 x 1 1/2 inches




American Gothic (detail), 2015
Wood, plaster bust, pedestal, selfie stick, and display phone
100 1/2 x 37 1/2 x 74 inches






FOMO (details), 2015
Set of 34 pigmented inkjet prints
Framed Dimensions:
10 3/4 x 10 3/4 x 1 1/2 inches
Image Dimensions:
7 1/2 x 7 1/2 inches

Michael Staniak "Solid State" @ Steve Turner



OBJ_827, 2015 
Hand-tinted polyurethane, 
30 x 23 x 3 3/4 inches





STL_300, 2015
Hand-dyed nylon polymer and travertine
14 x 8 x 8 inches