dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, October 25, 2014

Darren Almond @ Matthew Marks | Los Angeles












Second Thoughts VII, 2014
Acrylic on linen
86 1/4 inches x 81 1/8 inches







Chance Encounter,  2013
Acrylic on linen
86 1/4 inches x 143 inches






Johns Radiometer,  2013
Borosilicate glass 8330/8250, vacon II, wolfram,
mica, noble gas, and carbon soot
25 1/4 x 13 5/8 inches












At Times There Are No Words, 2012
Cast aluminum and paint
7 7/8 x 125 1/2 x 2 inches



Fullmoon@Islay, 2014
C-print face mounted onto Perspex
70 3/4 x 70 3/4 inches



Either Side of Nothing, 2014
Cast bronze and paint
Plus: 17 7/8 inches x 2 3/4 inches
Minus: 4 3/8 inches x 15 3/4 inches x 2 3/4 inches







Perfect Time 8 x 7,  2011
Steel, vinyl, computerize electronic control system and components
46 1/2 x 81 1/2 x 8 1/4 inches









Thursday, October 23, 2014

Analia Saban "Is This A Painting" @ Armory Center for the Arts








Super Tents @ La Verne University
















Caught completely off guard by sight of these upon entering the campus (I was there to see the "Pictures of Everything" painting exhibition in the Harris Gallery), I couldn't help but look closer at these architectural oddities.  The exterior was mesmerizing on a seriously clear and rare Southern California day.  While the exterior allows infinite views between form and site, the interior is cluttered by a labyrinth of halls, offices, fitness rooms, gymnasium, art studios, etc.  On the latter, it's a rare pairing of Art and Sport under one roof.  Denver International Airport and a Rem Koolhas proposal for LACMA of a few years back came to mind.  The article below reveals a few other details.  I'm curious to learn more, but this is all I have at the moment.

ULV Super Tents Renovation Celebration Marks First Stage of Campus Center Project
April 6, 2005 by University of La Verne

For nearly 32 years, the Super Tents structure has been a familiar part of the University of La Verne's main campus. Its eye-catching design, described as “futuristic” when first completed in 1973, remains strikingly distinctive in the 21st century. But while the look and appeal remain vital, the need to better utilize available space within the Super Tents led to a decision to revise the interior design.

To commemorate the initial phase of the Super Tents reconstruction, which is the first stage of the $20 million Campus Center Project, the university will host a special Renovation Celebration on Tuesday, April 12. Set to begin at 4 p.m. adjacent to the Super Tents near the corner of C and Second streets, the program will bring together ULV administrators, Board of Trustees members, project architects, donors, alumni and members of the campus community. The event is free and open to the public.

The Super Tents, the first permanent tensioned membrane structure in the world, is more than just a local landmark. Supported by cables and a series of tent pole-like frames, the canopy of woven Fiberglas fabric coated with Teflon resin, was designed to endure the harshest natural challenges. It was constructed for less than $3 million, about one-third the cost of a traditional brick-and-mortar building of similar size. It created space to house a student center, a multi-purpose gymnasium, an art studio and classrooms, the campus bookstore and a snack bar.

“There's nothing else quite like the Super Tents. Never has been and I suspect there never will be,” said university President Steve Morgan, who during the facility's initial construction served as an assistant to then-President Leland Newcomer. “It has certainly served its purpose during the first 30 years of existence. And following the upcoming renovation, it will continue to serve the university for decades to come.”

Under the redesign of Mark von Wodtke of Claremont Environmental Design Group, the unique profile of the Super Tents will remain intact. The interior, however, will undergo many improvements during the transformation process. When the first phase of renovation is complete in Fall 2005, the facility