dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Thursday, January 13, 2022

Michelle Asselin "Exposure" @ Louise Alexander Gallery / AFP




I had hoped to see this show in person, but apparently I hadn't quite figured out the venue's operating hours.  As it were, I was able to peek through the glass, which, of course, afforded reminders of reflection annoyance, let's call it, as well as an opportunity to become interested in an aspect of light that Asselin seems to enjoy as well, a fleeting moment.

See above link for additional information about the show and images of the work.

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