dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Thursday, January 27, 2022

Chewing Fat Organized by Nancy Lupo @ Kristina Kite

Nico B Young
Chuck's Scraps, 2021
found scrap-wood drawer and pair of fluorescent lamps from an alley near former site of Douglas Aircraft Company in Santa Monica, California, pair of fluorescent lamps made of found scrap-wood and fiberglass


Cayetano Ferrer
detail
Remnant Recomposition 4, 2019
Axminster carpet, seam tape
dimensions variable

Cudelice Brazelton IV
Deck, 2021
acrylic, plastic, synthetic leather on linen
58 1/2 x 40 x 6 1/2 inches


Nikita Gale
Locked Lungs, 2020-2021
acrylic shelf, acrylic disc, turntable, amplifier
12 x 6 x 10




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