dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, January 20, 2018

Latin American Aritsts in the Marciano Collection @ The Marciano Art Foundation


Gabriel Orozco
Roto Spinal, 2005
Acrylic on canvas



Allora & Calzadilla
Solar Catastrophe, 2011
Broken solar cells on canvas





Allora & Calzadilla
Shape Shifter, 2013
Sandpaper on canvas




Allora & Calzadilla
Shape Shifter, 2013
Sandpaper on canvas





Gabriel Orozco
Untitled, 2016
Tempera and burnished gold leaf on linen canvas




Alex Da Corte
still from Slow Graffiti, 2017
Digital Video, color, sound
TRT: 12:38 min

No comments:

Post a Comment