dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, September 16, 2017

"Summer Selections" @ Louis Stern Fine Arts


Louise Belcourt
Mound #17, 2012-2014
oil on canvas
42 x 52 inches










Louise Belcourt
HedgeLand Painting #19, 2010
oil on canvas
57 x 67 inches








Norman Zammitt
Red, Green, Blue, 1975
acrylic on canvas board
16 x 12 inches




Doug Ohlson
Blind Spot, 2005
acrylic on canvas
60 x 62 inches






Doug Ohlson
Hi Moon, 2006
acrylic on canvas
66 x 60 inches






Doug Ohlson
Seton, 1988
acrylic on canvas
72 x 60 inches






Jeremy Gilbert-Rolfe
Untitled, 1981
42 x 28 inches





Jeremy Gilbert-Rolfe
1818 Glendale Boulevard, 2016
oil on linen
29 1/2 x 32 1 1/2 inches


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