dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, January 16, 2016

Kevin Reinhardt, Mike Rubin and Mateo Tannatt @ Grice Bench

Mike Rubin
Untitled, 2014

Mateo Tannatt
Untitled, 2015
cast aluminum, non-oxidized brass
17 x 13 inches

Kevin Reinhardt
Untitled (Gray Blinds), 2015
oil on linen
43 x 40 1/2 inches

Kevin Reinhard
Untitled (Porcelain Painting),  2015
13 1/4 x 9 inches

Kevin Reinhardt
Untitled (Yellow, Blue, Green Blinds), 2015
oil on linen
17 1/2 x 17 3/4 inches

Mateo Tannatt
Untitled, (2015)
cast aluminum and black sand
18 x 14 inches