dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, October 24, 2015

Robert Overby "See Robert" @ Cherry and Martin



Seven Models For Large Moving Pieces
23 August to 6 October 1970
Clay, 6-part
12 x 12 x 5 inches







Emil, 1988
Oil on canvas
42 x 30 inches





Study for Aluminum Piece (187), 1969
Ballpoint, marker, and spray can on paper
3 1/4 x 9 1/4  x 1/4 inches


Aluminum Piece
July 1971 to 1 February 1972
Sheet Aluminum
18 1/2 inches x 128 1/2 inches x 6 inches