dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, July 11, 2015

Doug Ischar "Boy, Pig, Power" @ Commonwealth & Council

Tag, 1994/2015
Lacoste shirt (altered), film based video projection
62 x 20 x 18 inches

Someone, 2013
Hand-written note, video projection with audio
58 x 16 x 20 inches

Siren, 1996/2013
Date due slip, animated video projection
(Jeffrey Dahmer aged 14)
7 x 14 x 27 inches

Go Unnoticed, 1986/2013
Framed ink-jet print from color negative, animated video projection
74 1/2 x 52 x 24 inches