dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Wednesday, January 8, 2020

Harvey Quaytman @ Blum & Poe | Los Angeles


Prussian Choir, 1984
Acrylic on canvas
72 1/8 x 60 1/8 inches










Untitled, C, 1984
Acrylic on canvas
36 1/4 x 120 1/2 inches





Colossus, 1985
Acrylic on canvas
81 3/4 x 68 1/4 inches


Rózsaszín, 1984
Acrylic on canvas
72 x 72 inches


Mirror to Damascus, 1971
Acrylic and pigment on canvas
50 x 136 1/4 inches






 Araras, 1973
Acrylic and pigment on canvas
90 1/4 x 87 3/4 inches






Paleologue, 1969
Acrylic on canvas
107 3/4 x 61 inches







Stopwatch, 1969
Acrylic on canvas
60 x 155 3/8 inches






Minka Minka , 1977
Acrylic and pigment on canvas
97 1/2 x 71 inches

and

Charablanc, 1977
Acrylic and pigment on canvas
108 7/8 x 65 1/4 inches



Summer Painting, 1980
Acrylic, rods, and veneer on wood
96 5/8 x 48 1/2 inches



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