dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, June 30, 2018

Reena Spaulings "The Male Gates" @ Matthew Marks | Los Angeles


Medusa 3, 2018
Acrylic and oil on linen
66 x 50 inches; 168 x 127 cm




Gate 1 and 3, 2018
Enamel paint on security gate
87 x 32 x 23 inches each



Gate 3, 2018
Enamel paint on security gate
87 x 32 x 23 inches




Gate 1, 2018
Enamel paint on security gate
87 x 32 x 23 inches


Gate 4, 2018
Enamel paint on security gate
87 x 32 x 23 inches







Seascape, 2014
Farrow & Ball’s Estate Emulsions on canvas
120 x 336 inches; 305 x 853 cm







Medusa 7, 2018
Acrylic and oil on linen
66 x 50 inches; 168 x 127 cm



Medusa 1, 2018
Acrylic and oil on linen
50 x 78 inches; 127 x 198 cm

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