dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Saturday, May 5, 2018

Graduate Show and Open Studios @ CSUN


J.N. Kim
Patterns That Develop, 2018
Oil on canvas


J.N. Kim
Maintenance of Structures, 2018
Oil on canvas




J.N. Kim
Somewhere Between Nowhere and Goodbye, 2018
Oil on canvas





J.N. Kim
Sequels Are Never as Good as You Want Them to Be, 2018
Oil on canvas




J.N. Kim
Modern Age, 2018
Oil on various wood




J.N. Kim
Person to Person, 2016
Oil on canvas





J.N. Kim
Patternized Behaviours, 2016
Oil on canvas





Naomi Nadreau
VWP03 Another Scroll, 2018
Steel, plexiglass, soil, living organisms






Michelle Nunes
glass catching the light, 2018
Video
TRT: 2 hours and 10 minutes 








Gone With the Wind Erasing Itself in 24 Hours, 2018
Video
TRT: ongoing










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