dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Friday, February 10, 2017

Justin Margitich "The New Sublime" @ Moskowitz Bayse


Variations 14, 2016
Acrylic watercolor, and paper on panel
30 x 22 inches





Variations 19, 2016
Acrylic, watercolor and paper on panel
30 x 22 inches




Variations 5, 2016
Acrylic, watercolor, and paper on panel
30 x 22 inches



Variations 10, 2016
Acrylic, watercolor, graphite and paper on panel
30 x 22 inches




Variations 3, 2016
Acrylic, watercolor and paper on panel
30 x 22 inches






Variations 10, 2016
Acrylic, watercolor, graphite and paper on panel
30 x 22 inches






Derivation 1, 2016
Acrylic on panel
36 x 36 inches





Derivation 6, 2016
Acrylic on panel
36 x 37 inches