dayoutlast is a record of my direct engagement with mostly contemporary art, mostly Los Angelean.

As this blog has evolved since its 2010 inception, so has my perspective. What I once perceived as central within the investigation was what was central, literally, within the photographic frame that I shared here. While still an important consideration, such thinking has also given way to more peripheral considerations, ones also accompanied occasionally by text (written manifestation of thought) and the oscillations between them. What's missing here are larger unknowns surrounding issues of presentation and representation; the amount of time and space it actually takes to accomplish such first-hand observations; and the quandaries between documentation and interpretation.

Despite my attempt to communicate here with image and text what is essential in some respect about the artwork, neither representation should ever be considered a substitution for the primary viewing experience. Of course, occasionally there are exceptions.

Most of the time, these posts are merely remnants---residual fragments---from my last day out.

Sunday, December 22, 2024

Experimentations: The Art of Controlled Procedures @ Los Angeles Municipal Art Gallery

Analia Saban

Pleated Ink (National Semiconductor, Processing and
Control Element), 2021
Machine rendered acrylic on canvas







Two Lines: One Ascending, One Descending, 2022 
machine rendered acrylic on canvas





One-Stroke Representation of an Isometric Grid (White) #3, 2015
machine rendered acrylic on canvas

Broken Vase (One-Continuous-White-Line), 2016 
machine rendered acrylic on canvas


Charles Gaines






Numbers and Trees: Drawing 26, 2016
Ink on paper


Shana Lutker



Performance Script, No. 2, 2024
Performance script printed on letter-sized paper



Shana Lutker + John Baldessari




A---B, 2011
Mixed media installation, two tables, assorted objects, two flat screen monitors, two digital cameras, wall vinyl