Unlike sculpture which has infinite points of view, these works, in spite of their claim for painting as object, are to be viewed singularly the best that I can tell. Like sculpture, these paintings defy photography, at least to the extent that this can even be a concern. More importantly, they have a distinct relationship to the wall on which they hang as well as whatever color relations arise between them. Though not obvious with any intent, the one in the office on the gray wall (as opposed to ones on the default white walls of the rest of the gallery) was most interesting.
