Wednesday, February 23, 2022

Blake Rayne @ 1301PE


Reverse Strike Spit Test 3, 2022
Oil, acrylic, nylon thread, acrylic polymer emulsion, and canvas
36" x 26"







Reverse Strike, 2022
Oil, acrylic, nylon thread, acrylic polymer emulsion, linen, and canvas
26" x 36"





Reverse Strike Spit Test 2, 2022
Oil, acrylic, acrylic polymer emulsion, linen, and canvas
36" x 26"





Spit Test 2, 2022
Oil, acrylic, nylon thread, acrylic polymer emulsion, linen, and canvas
36" x 26"



Spit Test, 2022
acrylic, oil, gesso, canvas, linen
26 x 36 inches

Saturday, February 19, 2022

Carlos Cruz-Diez "Cromosaturación" @ MOCA LA


Cromosaturación, 1965/2012
Painted drywall, fluorescent lights, and colored plastic, 
50 5/16 x 24 1/4 x 13 ft.











Michael Kindred Knight "Guide Meridian" @ Luis De Jesus


Genesee, 2021
Acrylic on canvas
18 x 18 in.


Pima, 2021
Acrylic on canvas
18 x 18 in.


Virden, 2022
Acrylic on canvas
18 x 18 in.




Northtown, 2021
Acrylic on canvas
18 x 18 in.


Vantage, 2021
Acrylic on canvas
18 x 18 in.


Outrun, 2022
Acrylic on canvas
18 x 18 in.


Meridian, 2021
Acrylic on canvas
18 x 18 in.


Duncan, 2022
Acrylic on canvas
18 x 18 in.




Ballard, 2022
Acrylic on canvas
18 x 18 in.





Michael Kindred Knight "Guide Meridian" @ Luis De Jesus

 
Michael Kindred Knight’s newest body of work represents a progression in his approach to abstraction. Urged on by curiosity, Knight’s abstractions are complex pictorial events that are developed over time.

He often refers to the works as “places,” partially attributed to Knight’s fondness for the flourishes, fixtures, facades, and sunset-bathed stucco that constitute LA architecture. While fictional in nature, these “places” are brimming with a sense of gravity, structure, improbable horizons and time-of-day.

The titles are autobiographical, expanding on the adage, “What’s in a name?” The paintings are often named after places, cities, neighborhoods, and streets, evocative of certain moments and periods in Knight’s life. In effect, the paintings describe a feeling of dislocation – of being caught in the detached realities of the Information Age and the tactile, sensory experiences of embodiment: skin, eyes, memory, breath – all with a mind to appreciate being present in the here, now.

While historical modes of abstraction and landscape painting are blithely indulged and interrogated, this series features a new repertoire of forms and gestures that prompt a rhetorical exchange from one work to the next. The artist’s hand is apparent in the searching and demarcating gestures within the work. This sets up a dialogical construct between the marks and their forms that is as much about the volume of the empty space as the structural forms that define it. Dense and varied compositions, the small-scale encourages an intimate read from the viewer, a closer inquiry into the environment it proposes.

---Excerpted from gallery press release...

Alex Olson @ Park View


Seven, 2021
Oil and modeling paste on canvas
61 x 43 inches
155 x 109 cm







Entrance, 2021
Oil and modeling paste on canvas
71 x 50 inches
180 x 127 cm






Presently, 2021
Oil and modeling paste on canvas
71 x 50 inches
180 x 127 cm




Sketch, 2021
Oil and modeling paste on canvas
71 x 50 inches
180 x 127 cm




Open Mind, 2021
Oil and modeling paste on canvas
71 x 50 inches
180 x 127 cm


Page Turner, 2021
Oil and modeling paste on canvas
71 x 50 inches
180 x 127 cm




Decisions, 2021
Oil and modeling paste on canvas
71 x 50 inches
180 x 127 cm