Twenty-Six Plural, 2010
Steel
Dimensions variable
Code Hissss 1, 2015
Aluminum
84 x 4.5 x 4.5 inches
Untitled, 2015
Scratched sheet rubber and aluminum enamel resin mounted on wood panel
56 x 84 inches
Untitled, 2015
Scratched sheet rubber and aluminum enamel resin mounted on wood panel
56 x 84 inches
Alphabetic Organ, 2015
Paint back linoleum, sheet plastic, speakers, plexiglas, amps, computer, volume pedal, copper
speaker wire, steel racks, wood, latex paint, paper, ink, extension cord
Dimensions variable
The relationships between sound, language, space, performance (process), and whatever else effects the moment are all fun to contemplate and decode. I just happen to catch a moment in time with the artist demonstrating the audio elements of the installation to his guests. Had he not been there, it would have been a very different experience on various levels. If there was an invitation to interact/participate, it wasn't clear, though ultimately, not necessary since the reception of the work seems to complete somewhere between site and mind. Less mutliplicitous were the non, time-based works no matter what they would suggest abstractly about limitless potentials. Alas, language is totally insufficient to appreciate the work, and, apparently, so is my post, since I'm not sharing an audio sample. Should have been there.
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