Saturday, March 15, 2014

Marcia Roberts @ Rosamund Felsen


#60-12 Soft White, Dome Series, 1969
acrylic on canvas over kapok, wood backing
48 1/2 x 48 1/2 x 4


#47-6 Light Gray, Dome Series, 1969
acrylic on canvas over kapok, wood backing
48 x 48 x 3 3/4 inches


#48-7 Soft Medium Gray, Dome Series, 1969
acrylic on canvas over kapok, wood backing
48 1/2 x 48 1/2 x 4 inches


#2 Hard Black Series, 1969
acrylic on canvas over kapok, wood backing
48 x 48 x 3




Los Banos, Diablo Mts Series, 2001
acrylic on canvas
22 x 30 inches


Detail.



Estero, Santa Lucia Series, 2003
acrylic on canvas
22 x 30 inches


Detail.

This show took me a moment because the first works in this show that I encountered (the ones near the bottom of this post) were oddly scaled for what they suggested. I would love to see them on a large scale, larger than Rothko.

It wasn't until I made it into the back gallery where four works (the ones at the start of this post), one on each wall, were hung in a kind of arrangement (an apparent kind of specificity) that pushed me around by their placement and simplicity.  Robert Irwins' mid-sixties paintings just before his acrylic discs came to mind, and so I thought these ones existing in parallel with his was something worth thinking about.

Upon further reflection, in fact upon posting the images here, I came to think more so about Morgan Fisher.  Of course, Mary Corse, in my mind, was everywhere in the rooms.  Once such associations subsided, I was able to enjoy them for what they are in the present and how I was able to think back through the paintings as objects of place (cf. titles), placement, and displacement of their times.


No comments:

Post a Comment